As you presumably saw from the outline above, regardless of the film being named “Searching for Magical DoReMi,” it’s not really a film about otherworldly young ladies battling an insidious sovereign or anything like that. Or maybe, it’s around three ladies who incidentally turn out to be devotees of the mid 2000s Magical DoReMi anime and spotlights on the generally very genuine issues they face in their regular daily existences.
The first is a Reika, low maintenance laborer. She has no steady work and no fantasy she is effectively seeking after. She lives alone in a little condo and her “beau” consistently takes from her. While just 20, she is caught before—tormented by the way that her father left her mother and that her mother passed on not long after Reika escaped secondary school. Her blame and surrender issues keep her secured down a spot she has since a long time ago grown out of.
The subsequent lady is the 22-year-old Sora. Presently an understudy, she is being forced by her folks to emulate their example by turning into an instructor. In any case, during her hands on preparing, she got made up for lost time in attempting to help an extraordinary necessities kid and now puzzles over whether she can manage the work—or in the event that she even needs to.
The last lady, and the most seasoned, is 27-year-old Mire. An office laborer at a lofty global exchanging organization, she was employed because of the reality she was brought into the world in Japan yet brought up in America. Tragically, her male associates are not exactly intrigued by her assessments and the way that she is both a lady and expresses her real thoughts prompts her being disparaged by her supervisors and collaborators uninvolved forcefully—even as they assume praise for her accomplishments.
While every one of the three ladies are very unique—in area, character, and in the issues that they face—they share the normal issue that they are stuck at basic focuses in their lives. All are on the incline of significant change yet do not have the capacity to step into what’s to come. And afterward they come into one another’s lives.
Because of their adoration for Magical DoReMi the three structure a relationship outside of their issues. They go on outings together across Japan, multiplying down on some genuine anime the travel industry by visiting a huge load of better places found in the different periods of Magical DoReMi. This thusly prompts a solid fellowship based on supporting each other’s fantasies and leaving the (frequently agonizing) business as usual behind.
In the event that there is “sorcery” appeared in this film, it’s more frequently allegorical than exacting. Every one of the ladies has something about them—something uncommon inside them—that the other two need. The film is tied in with perceiving this “wizardry” in others and in yourself—similarly as the characters themselves do.
Maybe the most intriguing thing about this film is that, notwithstanding the steady Magical DoReMi fanservice, you don’t have to know anything about Magical DoReMi to comprehend the film, its characters, or its message. Of course, the soundtrack is loaded up with Magical DoReMi signature melodies/ambient sounds and the first voice entertainers are back to voice their exemplary characters at whatever point the plot gives them a reason to. Yet, truly, a similar story could be told with almost some other anime—however it is even more impressive with one focused on youngsters.
Eventually, it’s essential to acknowledge what sort of film this really is. While you’d believe it’s a cut of-life film from the start, it’s really a transitioning film. Very frequently we consider “transitioning” as stories revolved around adolescents making their initial step into adulthood yet there are numerous means headed for turning into a grown-up—and numerous spots you can entangle or stall out. Searching for Magical DoReMi is about our three champions stepping into the grown-up world—and ensuring that they are on a way they need to be on. Furthermore, for that by itself it’s certainly justified regardless of a watch.